Point 10 of 12 — Lesson 2: The Evening by Khalil Mutran and the Foundations of the Emotional DirectionQuestion bank: 0 questions (0 with pictures)
10Figurative imagery and rhetorical devices
Simile (tashbih)
"An exile that will be my medicine", "the futility of my circling", "my banishment is a sickness": exile and circling are pictured as medicine and as malady.
"A heart like this deaf rock": the heart likened to a rock, showing his wish for numbness.
"Waves like the waves of my sorrows": the pressing of waves likened to the pressing of sorrows.
"The sea... like my chest": the sea's narrowness likened to the chest's narrowness.
"Like the dark colour of clouds", "like a red tear": the sun and the twilight likened to blood and to a tear.
"Mourning-halls of the lights": the light of sunset likened toa funeral gathering.
Metaphor (isti'ara)
"The sweetness of its air heals this body", "does it soften fires?": fires stand forthe pains of the heart.
"Complaining to the sea... it answers me", "the sea fluttering and cramped": personification of the sea.
"Stripping-off of day and striking-down of the sun", "the day bidding farewell": personification of day and sun.
"The horizon darkened, wounded in its lid": the horizon personified as a man wounded in the eyelid.
Metonymy (kinaya)
"The heart between awe and hope": a kinaya forunsettlement and confusion.
"As if I had seen my passing day": a kinaya forthe poet's end and the nearness of his term.
Sound and balance devices (badi')
Good division (husn al-taqsim) in the fourth verse.