Point 1 of 11 — Lesson 3: In Elegy of Maya by Abbas Mahmoud al-Aqqad and the School of al-DiwanQuestion bank: 0 questions (0 with pictures)
01Origin of the school of al-Diwan and its founders
Preparation
Khalil Mutran had a French culture tied to the French poets.After him camethree poets whose culture joined the Arabic heritage to English literature.
These three arethe group of al-Diwan: Abdul Rahman Shukri (1886–1958), Abbas Mahmoud al-Aqqad (1889–1964) and Ibrahim Abdel Qader al-Mazini (1889–1949).
The school was namedafter the book "al-Diwan in Literature and Criticism", issued by al-Aqqad and al-Mazini in 1921.
The conditions that made the group
The threeembodied the Arab youth of the early twentieth century, livinga suffocating crisis imposed by colonialism through the disorder, ignorance and poverty it spread.
Young people foundno room for the growth of their human personality, no way to free themselves from colonialism or to bear responsibility, sincetheir resources were weak against the coloniser.
Their hopescollided with the hateful colonial reality, so they fled the painful world of fact into the world of dreams and imagination.
Theytook refuge in nature, pouring into it their lost hopes and their despair of life, and contemplated the universe and the secrets of existence.
What bound them together
Pride in Arab culture, and the influence of English Romanticism.
Expressing, with warm positions and a sincere experience, the tragedy of their generation; turning towards the human self and leaning towards imagination.
In thisthey agreed with Khalil Mutran, who took from French Romanticism the personal emotional feeling-direction.
From1909theybegan publishing their opinions and calling to their doctrine in newspaper articles and in the prefaces to their diwans.
Al-Aqqadsummed up the school's position in the preface to al-Mazini's first diwan (1913): they were young men raised by upbringing and reading, so they feel as an Easterner feels and picture the world as a Westerner pictures it.
The first fruit of this temper was that pens strained towards independence, the removal of the film of hypocrisy, and freedom from artificial restraints.
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